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Wearable Art

Ikuntji Artists · Haasts Bluff, NT

From Country
to Runway

Ikuntji Artists began as a women’s centre in the Western Desert in 1992. Its adornment and textile practice — from jewellery in 2014 to a fashion and textile program launched in 2016 — now carries Tjukurrpa and connection to Country onto runways, museum walls, embassy floors, a Parisian department store and screens around the world.

Impact at a glance

A decade of screen-printed fabric, a decade more of jewellery — from community workshops to museums, embassies and global stages.
10years since the textile and fashion program began in 2016 — jewellery work began even earlier, in 2014
13countries reached — through runways, tours, museums, diplomacy, manufacturing and screen
7fashion week presentations — Sydney, Melbourne, Paris, London, Dublin, New Zealand and New York
7major museum and collection ties — SA Museum, Powerhouse Museum, MCA, Kluge-Ruhe Collection, Musée du quai Branly, Fondation Opale and JamFactory
Recognition and firsts
  • First art centre founded by women in the Western Desert art movement (1992)
  • Founding participant in the first nation-wide Indigenous Australian contemporary jewellery project (2014)
  • First Central Desert art centre to release its own textile collection (2019)
  • First Aboriginal art centre to stage a solo Australian Fashion Week show (2023)
  • First Australian art centre on the New Zealand Fashion Week runway (2023)
  • Exclusive collection launch at a major Parisian department store, BHV Marais (2022)
  • Business Achievement Award, National Indigenous Fashion Awards (2023)
  • National Winner, Accelerating Women, Telstra Best of Business Awards (2024)
  • Three-time National First Nations Exporter Award finalist (2023–2025)
  • Fabric supplied for Australian consular staff uniforms in Vietnam
  • Garment collection worn on an AACTA-winning film’s poster and by touring musicians and orchestras
Ikuntji jewellery from the Indigenous Jewellery Project

Indigenous Jewellery Project

1992 – 2018
Origins
1992

Ikuntji Artists established, Haasts Bluff (Ikuntji), NT — the first art centre founded by women in the Western Desert art movement.

2014 – 2015

Ikuntji Artists takes part in the Indigenous Jewellery Project (IJP), the first nation-wide Indigenous Australian contemporary jewellery project, established by curator Emily McCulloch Childs with jewellers Kate Rohde and Melinda Young.

2014

Ikuntji Artists hosts a week-long intensive jewellery workshop as part of the IJP, led by resin artist Kate Rohde and Emily McCulloch Childs, focusing on resin and silver techniques — participating artists include Alison Napurrula Multa Panjiti, Virginia Ngalaia, Walter Jugadai, Benita Multa, Marilyn Jack and Serianne Butcher. The resulting collection is exhibited at Pieces of Eight Gallery, Melbourne, with national touring, and a documentary short by filmmaker Dan Coutts.

2015

Ikuntji Artists and Ernabella Arts present “Jewellery Has Always Been Here”, curated by Emily McCulloch Childs, JamFactory, Adelaide, as part of the inaugural TARNANTHI festival.

2015

Painted-shoe workshop, sparked by a visit from French fashion designer Cathy Amouroux — artists paint everyday shoes donated by the Kanparrka Store at Ikuntji/Haasts Bluff.

2015

The painted shoes are shown at Desert Mob, Alice Springs, before travelling to Brisbane.

2016

“Put yourself in my shoes” — Keturah Zimran and Alice Nampitjinpa exhibition, Suzanne O’Connell Gallery, Brisbane, featuring paintings, shoes and photographs.

2016

Story Necklace, a fifty-metre threaded collaborative work by 21 Ikuntji artists, created over fifteen months, shown at Desert Mob, Alice Springs.

2016

The textile and fashion program begins from a standing start, in partnership with artists and the all-First Nations board — translating an existing painting practice into screen-printed textile design.

2016

An initial $5,000 grant funds a T-shirt printing workshop with Timothy Growcott (Top End Textiles), in community at Ikuntji/Haasts Bluff.

2015 – 2017

Separately, Ikuntji artists undertake VET Certificate I and II training in screen printing at Batchelor Institute of Indigenous Tertiary Education, Alice Springs. Covered in an SBS/NITV report.

2017

A second workshop with Timothy Growcott moves from T-shirts to full fabric lengths, developing the collection shown at Country to Couture, Darwin Aboriginal Art Fair, with support from the Centrecorp Foundation.

2017

The Batchelor Institute VET training results in a collection shown at From Country to Couture, Darwin Aboriginal Art Fair — the fashion parade’s first year, showcasing collections from eight art centres, curated by Grace Lilian Lee.

2018

The same collection is shown again as part of a Batchelor Institute training collection.

Ikuntji Designs on the Country to Couture runway, 2017

Ikuntji Designs at Country to Couture 2017

Artists screenprinting during a workshop with Timothy Growcott

Artists participate in screenprinting workshop with Timothy Growcott 2016

2016 – 2022
Building the Practice
2018

A Museum Project collections visit to the South Australian Museum sets in motion the Story Necklace’s eventual acquisition.

2019

First textile collection released.

2019

Ikuntji Textiles Exhibition, Central Craft, Alice Springs.

2020

Ikuntji textiles named a finalist, National Indigenous Fashion Awards.

2020

Story Necklace exhibited at, and acquired by, the South Australian Museum.

2020

Ikuntji Artists Museum Story (Desart/ICTV), featuring artists Walter Jugadai, Jeffery Zimran, Kelly Dixon and Keturah Zimran, on the centre’s collections and repatriation research.

6–28 Sep 2020

Ikuntji Textiles Exhibition, Central Craft, Alice Springs.

2020

HOME:Made Exhibition, DESIGN Canberra.

2020

Ikuntji Artists × Magpie Goose fashion collaboration shown at Country to Couture, Darwin — finalist, Design Files + Laminex Design Awards, and National Indigenous Fashion Awards.

2020–21

Collaboration with the Museum of Contemporary Art Australia (MCA) on a collection of handmade face masks, using screen-printed Ikuntji fabric designed by Eunice Napanangka Jack and Mitjili Napurrula.

2021

Ikuntji Artists teams up with Flying Fox Fabrics for a collection of ethically made bags and accessories, all featuring Ikuntji textiles — made by fairtrade Cambodian artisans, working with Women for Women, Villageworks and Kravan House.

Feb – Sep 2021

Frock On! 2021, facilitated by Flying Fox Fabrics — 28 makers from Australia and the USA use 70+ metres of hand-printed Ikuntji fabric to create garments; exhibition and awards night, with award categories including Gorgeousness, Fabulousness and Surprise.

2022

NAIDOC MCA Store Exhibition and Activation, Museum of Contemporary Art, Sydney.

Mar – Sep 2022

Frock On! 2022, a second collaboration between Flying Fox Fabrics, Ikuntji Artists and Songlines Australia — call-out for designers in March, with the award runway show and exhibition held at Songlines, Darwin.

Sep 2022

The book Ikuntji Textiles launches at the Museum of Contemporary Art Australia, Sydney.

Sep 2022

Partnership with Ensemble Q (Brisbane) — a range of stagewear built from Ikuntji Artists designs.

2022
International Breakthrough
May 2022

An Ikuntji design, by artist Alice Nampitjimpa Dixon, appears on the cover of Vogue Australia, worn by Elaine George — the first First Nations model on a Vogue Australia cover, in 1993.

2022

Fabric and garment presentations at fashion weeks in Sydney, Paris, London and Dublin.

29 Jan – 27 Feb 2022

The IDAIA × Ikuntji collection launches exclusively at BHV Marais, Paris, as part of the department store’s “Couleurs Australie” event, held with Tourism Australia and the Australian Embassy in Paris — 16 products (cushions, table and bed runners, table lamps, tote bags and clutches), made in France and carrying the BHV–Galeries Lafayette “Go For Good” label.

2022

Ikuntji artworks are hung at the Australian Embassy, Paris, as part of the same project.

9 Jun – 9 Jul 2022

Weaving Culture II: Ikuntji Artists, Le Showroom Galerie 7, Lyon — an expanded presentation of the IDAIA × Ikuntji collection alongside paintings, sculpture, prints and photographs.

2022

Ikuntji Artists designs worn by musician BARKAA on the ARIA Awards red carpet.

Ikuntji Artists on the New Zealand Fashion Week runway, 2023

Ikuntji Artists at AAFW 2023

Models wearing garments made for Frock On! 2022

Models wear pieces created for Frock On! 2022

2023
National Recognition
May 2023

Solo runway show at Australian Fashion Week, First Nations Fashion + Design program — the first Aboriginal art centre to stage a solo AFW show; models included Elaine George.

2023

Elaine George also wears Ikuntji Artists designs at Country to Couture, Darwin.

2023 – 2025

Elaine George wears Ikuntji Artists designs throughout her appearances on The Way We Wore, an ABC/Netflix documentary series on Australian fashion.

Apr 2023

Ininti Jewellery Making Workshop, Parrtjima Festival, Alice Springs — artists teach participants to prepare and decorate ininti (Bat’s Wing Coral Tree) gumnuts to make a necklace or bracelet.

11 Mar – 3 Jun 2023

Ikuntji Style, artisan, Brisbane — tracing the centre’s design-led journey from community to global brand.

2023

Capsule collection with tailor Andrew Taylor for Vogue American Express Fashion’s Night Out (VAEFNO), Sydney and Melbourne.

Aug 2023

New Zealand Fashion Week, Go Media MIROMODA — the first Australian art centre on the NZFW runway.

Oct 2023

Melbourne Fashion Week — ganbu marra runway, The Lume.

2023

A second BARKAA red-carpet appearance, ARIA Awards, in Ikuntji designs.

2023

Business Achievement Award, National Indigenous Fashion Awards.

2023

New Exuberance: Contemporary Australian Textile Design, a major JamFactory touring exhibition curated by Meryl Ryan — Ikuntji Artists’ textiles feature in the Boulder chair (Caren Ellis Design, using Keturah Zimran’s Puli Puli fabric) and other commissioned furniture pieces. Runs at JamFactory, Adelaide, through 23 April 2023, before touring nationally — Benalla Art Gallery, Cairns Art Gallery, the Australian Design Centre, and finally FABRIK Arts + Heritage (Lobethal, SA), through 10 May 2026.

2023

Winner, Indigenous Business category, Australian Small Business Champion Awards.

Ikuntji Artists at AAFW 2023

Ikuntji Artists runway ‘Flying Solo’ at NYFW 2024

2024
Consolidation
Feb 2024

New York Fashion Week, Flying Solo.

2024

Finalist, National Designer Award — an award in its 28th year whose past winners include Christopher Esber, Dion Lee and Romance Was Born; winner announced 6 March 2024.

Jul 2024

“New Threads”, Australian Women’s Weekly — Elaine George and daughter Taylor Tanaka wear Ikuntji Artists designs, including the “Ininti at Muruntji” gown, in a feature marking thirty years since George’s 1993 Vogue Australia cover.

2024

NT Exporter of the Year, and national First Nations Exporter Award finalist, Australian Export Awards.

2024

Ikuntji (Haasts Bluff) is crowned the Northern Territory’s Tidiest Town, NT Tidy Towns Awards; artist and Ikuntji Artists director Hayley Dodd is named Young Legend for her work as a model for the art centre.

2024

October Business Month (OBM), NT — Ikuntji Artists Chairperson Roseranna Larry, director Walter Jugadai and Art Centre Manager Dr Chrischona Schmidt speak alongside keynote speaker Cathy Freeman on taking Ikuntji fashion around the world.

2024

State Winner (Accelerating Women, Building Communities) and National Winner (Accelerating Women), Telstra Best of Business Awards.

2024

Deed of deposit, Powerhouse Museum, Sydney — the Ikuntji Artists garment collection joins the museum’s permanent Australian fashion collection.

2024

Official NT Government trade delegation, Expo 2025 Osaka — Ikuntji textiles and garments on retail sale at the Australian Pavilion.

2024

Australian Youth Orchestra (AYO) collaboration commissioned — garments for the full ensemble.

2024

Tjukurrpa on Fabrics, IOTA 2024, Holmes à Court Gallery, Margaret River, WA.

2024

Arrkingu (the Veil), a gumnut veil, exhibited at Desert Mob, Alice Springs.

2024

The Australian consulate in Vietnam orders 80 metres of Ikuntji printed fabric, made into uniforms worn by consular staff on special occasions — following the NT Export Awards win and the Sydney Fashion Week showing.

2024–25

Formal fit-out for DFAT’s Tokyo post, and events fit-out for DFAT offices, Canberra, using Ikuntji textiles.

2025

Ikuntji fabric, supplied via Publisher Textiles, features among the sustainable interior finishes of The ImPossible House, Newtown, Sydney — as seen on Grand Designs Australia.

Australian Youth Orchestra members wearing Ikuntji Artists garments

AYO wear Ikuntji Artists while touring the world

2025 – 2026
International Reach
2025

Darwin Fashion Week — a collection with Publisher Textiles & Papers.

2025

Ikuntji Artists garments worn by AYO on its international tour — Vienna (Musikverein), Amsterdam (Concertgebouw), Berlin, Singapore and New York — with a homecoming performance at the Sydney Opera House.

2025

Garments made with Ikuntji Textiles for Kangaroo (dir. Kate Woods), including the design worn by Deborah Mailman on the film’s poster — the highest-grossing Australian film of 2025.

2026

Kangaroo wins Best Supporting Actress (Deborah Mailman), AACTA Awards, and Best Feature Film, Screen Producers Australia Awards.

2026

Ikuntji Artists garments again worn by AYO on its ‘Brave New Worlds’ domestic tour, Sydney and Darwin.

2023 · 2024 · 2025

National First Nations Exporter Award finalist, Australian Export Awards — three consecutive years.

7–9 Mar 2026

Beechworth Biennale, Victoria — Ikuntji Artists presents textile work alongside Tennant Creek Brio and other exhibitors, across site-specific locations in the town.

10–19 Apr 2026

The Language of Textiles by Nina Fitzgerald, Parrtjima Festival, Alice Springs — a collaborative textile and screen-printing installation featuring Ikuntji Artists alongside Yarrenyty Arltere Artists, Bindi Mwerre Anthurre Artists and Papunya Tjupi Arts; first presented in 2021, reimagined for Parrtjima 2026.

Also documented

Seven engagements in France since 2021 through IDAIA, including the BHV Marais and Weaving Culture II collaborations above, the Tjungu Tjukurrpa exhibition at the Passage du Grand Cerf, Paris, and a fashion show at the Musée du quai Branly.

Ikuntji fabrics held in the Fondation Opale Collection, Crans-Montana, Switzerland — works by artists including Lisa Multa and Pam Brown.

Ikuntji textiles purchased as wall hangings for the University of Wollongong in Dubai.

Ikuntji Artists collection on display at BHV Marais, Paris

Ikuntji Artists launch an exclusive collection at a major Parisian department store, BHV Marais

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